SCOPE Miami Beach 2018
Posted on December 02 2018
Paradigm Gallery + Studio | SCOPE Miami Beach | Booth A05 | December 4 - 9th
Claes Gabriel | Scott Albrecht | Drew Leshko | Seth Clark
| Ulla-Stina Wikander
We are excited to be back at SCOPE for our 6th Miami Art Basel showing!
If you will be in the Miami area for Art Basel Week, please visit us at SCOPE Miami Beach, Booth A05. Visit www.scope-art.com for more information.
Links to individual artist collections below
F E A T U R E D A R T I S T S
Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale. The scale is familiar for some viewers as standard dollhouse spec; the treatment to the buildings is widely different. The minute detail of his work includes city detritus such as dumpsters and pallets, which are commentary of the same ideas of what is worth preserving. Highlighting quick fixes and simple solutions, Leshko’s work begs the viewer to build their own ideas of why and when these changes had been made. Accumulations of typically overlooked details and minutiae like acid rain deposits and rust become beautiful adornments.
Leshko’s work has been exhibited in London, Berlin, Dublin, San Francisco, Chicago, New York City, Delaware, Detroit, Indiana, Philadelphia, New Orleans, Houston, and Miami. His work is included in the permanent collection of the Dean Collection (NYC), the Hosner Collection (LA), West Collection (Philadelphia), and Iron State Development’s corporate collection (Hoboken), Urban Nation Museum (Berlin), and many private collections throughout the country.
Leshko’s work has been exhibited in London, Berlin, Dublin, San Francisco, Chicago, New York City, Delaware, Detroit, Indiana, Philadelphia, New Orleans, Houston, and Miami. His work is included in the permanent collection of the Dean Collection (NYC), the Hosner Collection (LA), West Collection (Philadelphia), and Iron State Development’s corporate collection (Hoboken), Urban Nation Museum (Berlin), and many private collections throughout the country.
Scott Albrecht was born in 1983 in New Brunswick, NJ, and raised in Bethlehem Township, NJ. In 2003, he received a degree in graphic design from The Art Institute of Philadelphia. Scott is currently based in Brooklyn, NY and a member of The Gowanus Studio Space. His work incorporates elements of woodworking, hand-drawn typography, geometric collage using vintage printed ephemera and found objects and has been published and exhibited both domestically and internationally.
The work I create is inspired by the day-to-day that happens around me — from the undeniably larger events, down to the smaller ones that we regularly interact with but almost always ignore. I draw inspiration from these moments, and use my work as a way to highlight these experiences and through the process, reflect on what they have to offer. Because of this, I often see my process and final works as though I’m creating reminders or artifacts for myself of these ideas and situations, and have come to use this perspective as a guide in my work — to create something worth being reminded of.
Ulla-Stina Wikander was born 1957 in Kungälv. She is currently living in Stockholm/Kullavik, Sweden and has been working as an artist since 1986.
For more then 10 years I have collected cross stitch embroidery and today I have a big collection with over 100 different designs. These embroideries have been made by women and is often seen as kitch and regarded pretty worthless. I have mixed feelings for them but sometimes they are very beautiful and I want to bring them back to life.
In 2012, I started to cover ordinary household items from the 70s, like a vacuum cleaner, sewing machine, electric mixer etc. I find it interesting to see how these objects transform in a new context; the obsolete, the things we do not want any longer, the old and forgotten things. They become artifacts from a begone era, disguised, camouflaged and dressed. I give them a second life and although I cut the embroideries into pieces, I think they look very beautiful, when they have been ”dressed up”.
I visit flea markets and vintage stores to find cross stitch embroidery and the objects I want to work with. Some of the small objects, like an iron or a phone take me a day or two to make, but the bigger installations takes weeks to finish.
For more then 10 years I have collected cross stitch embroidery and today I have a big collection with over 100 different designs. These embroideries have been made by women and is often seen as kitch and regarded pretty worthless. I have mixed feelings for them but sometimes they are very beautiful and I want to bring them back to life.
In 2012, I started to cover ordinary household items from the 70s, like a vacuum cleaner, sewing machine, electric mixer etc. I find it interesting to see how these objects transform in a new context; the obsolete, the things we do not want any longer, the old and forgotten things. They become artifacts from a begone era, disguised, camouflaged and dressed. I give them a second life and although I cut the embroideries into pieces, I think they look very beautiful, when they have been ”dressed up”.
I visit flea markets and vintage stores to find cross stitch embroidery and the objects I want to work with. Some of the small objects, like an iron or a phone take me a day or two to make, but the bigger installations takes weeks to finish.
Clark grew up in Seekonk, Massachusetts and studied close to home in Providence at the Rhode Island School of Design. He earned his BFA in Graphic Design, focusing primarily on print design and alternative typography. During this time, he discovered collage. This method of hands-on, spatial development took a major role in his digital work as well as his physical works on wood and paper. His drawings and paintings have shown nationally including exhibitions in the Carnegie Museum of Art and the Chautauqua Institution, Recent honors include Best in Show at the Three Rivers Arts Festival and publication in New American Paintings. Clark is a 2012 Flight School Fellow and was named Pittsburgh’s 2015 Emerging Artist of the Year by the Pittsburgh Center for the Arts. He is the recipient of three Design Excellence Awards from the American Institute of Graphic Arts, Pittsburgh.
Claes Gabriel is a Philadelphia-based artist from Port-au-Prince, Haiti. Gabriel immigrated to the States in 1989 and earned a Bachelor of Fine Arts degree in Painting and Sculpture at the Maryland Institute College of Art in 1999. His three-dimensional paintings ring with the spiritual energy of beings from folklore and his own imagined tales, capturing a deified presence in each piece. Inspired by modernists such as Frank Stella and Sam Gilliam, Gabriel’s work lives beyond the confines of a flat wall; he stretches and sews canvases taut over wooden armatures to construct masks and free-standing statues. After considering the natural shape of the piece, Gabriel uses bright acrylics to pull out patterns, eyes, lips, and personality that seem to rise to the surface of their own free will. Gabriel often says he knows a piece is finished when he can bow to it.
Gabriel’s first influence was his father, classically-trained painter Jacques Gabriel (1934–1988), whose lush images of peasant life in Haiti depicted the commonplace in the vibrant, modernist language of the extraordinary. Gabriel’s work aims to bring the sublime within reach. Gabriel has exhibited in Port-au-Prince, Haiti, Baltimore, MD, Washington DC, and Paris, France. His work is included in the permanent collection of the Walters Art Museum in Baltimore, MD. He currently lives and works in West Philadelphia.
Gabriel’s first influence was his father, classically-trained painter Jacques Gabriel (1934–1988), whose lush images of peasant life in Haiti depicted the commonplace in the vibrant, modernist language of the extraordinary. Gabriel’s work aims to bring the sublime within reach. Gabriel has exhibited in Port-au-Prince, Haiti, Baltimore, MD, Washington DC, and Paris, France. His work is included in the permanent collection of the Walters Art Museum in Baltimore, MD. He currently lives and works in West Philadelphia.
Links to individual artist collections above
PRESS:
SCOPE Art Show Miami Beach 2018 on Widewalls
SCOPE Art Show Miami Beach 2018 on Widewalls
More Posts
-
The Philadelphia Mu...
NAZEER SABREEThe Place of Storms Now in the permanent collectionPhiladelphia Museum of Art "The Place of Storms" • oil paint, mixed media, found...
Read More -
Shawn Theodore: A R...
*VIEW/PURCHASE ARTWORK HERE* Shawn Theodore, Bus Stop —Oshun, Elegba, Oya, Papa Legba on the way, acrylic and collage on panel, 24"h x 30"w, 20...
Read More -
Dennis McNett & Ben...
*View/Purchase Artwork Here* Left: Dennis McNett, If Not Now, When? • woodcut print on cloth, acrylics • 56"x38" • 2024Right: Ben Venom, Sku...
Read More